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Documented performance featuring spherical amplification.Acht BrückenKölner Philharmonie, Cologne (DE)Ensemble Musikfabrik05/05/2024Program:Poppe, Enno (*1969, DE) – Prozession (for large ensemble) [2015/2020]
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Documented performance featuring spherical amplification.Acht BrückenKölner Philharmonie, Cologne (DE)Ensemble Musikfabrik05/05/2024Program:Poppe, Enno (*1969, DE) – Prozession (for large ensemble) [2015/2020]
Performance featuring spherical amplification.Festival ‘Was die Linden flüstern’Saal Dreilinden, Luzern (CH)Ensemble für neue Musik Zürich30/05/2024Program:Haas, Lorenz (*1968, CH) – Nichts Schöneres (a Schumann song recital in fourteen scenes for seven instruments and voice) [2024] WP
The benefits of involving persons intended to use a product or service early in the design process is increasingly acknowledged. This text provides inspiration and practical suggestions for anyone interested in designing for and with persons with visual impairments. We focus on co-design, but many of the adaptations and materials presented can also be used in more traditional design activities, su
Performance featuring spherical amplification.Wiener FestwochenORF RadioKulturhaus, Wien (AT)Klangforum Wien & Irene Delgado-Jiménez09/06/2024From the program “Academy Second Modernism: No Excuses Anymore II”:Ivičević, Mirela (*1980, HR) – Case Black (for ensemble and electronics) [2016]
Performance featuring spherical amplification.Kunstraum Walcheturm, Zurich (CH)Ensemble für neue Musik Zürich11/06/2024Program:Haas, Lorenz (*1968, CH) – Nichts Schöneres (a Schumann song recital in fourteen scenes for seven instruments and voice) [2024]
Performance featuring spherical amplification.ArteScienzaGoethe-Institut Rom, Auditorium, Rome (IT)Solo11/07/2024Program “Con-tatto”:Steen-Andersen, Simon (*1976, DK) – Beloved Brother (for ‘backside’ guitar) [2008]Billone, Pierluigi (*1960, IT) – Sgorgo Y (for e-guitar) [2012]Lamb, Catherine (*1982, US) – Point/Wave (for guitar and electronics) [2015]
Performance featuring spherical amplification.Cantiere Internazionale d’ArteFortezza Medicea, Chiostro, Montepulciano (IT)Solo – Opificio Sonoro Short III25/07/2024Program:Tedde, Maurizio (*1996, IT) – Januvia (for e-guitar and electronics) [2024] WP
Performance featuring spherical amplification.Cantiere Internazionale d’Arte Fortezza Medicea, Sala Bonelli, Montepulciano (IT)Opificio Sonoro27/07/2024From the program “Tellurica”:Romitelli, Fausto (1963-2004, IT) – Trash TV Trance (for e-guitar) [2002]Bedrossian, Frank (*1974, FR) – Innersonic (for e-guitar and accordion) [2012]
Performance featuring spherical amplification.Foresty FestivalTeatro San Martino, Montaldeo (IT)Solo02/08/2024Program:Billone, Pierluigi (*1960, IT) – Sgorgo Y (for e-guitar) [2012]
Performance featuring spherical amplification.Workshop New Music for GuitarCasa della Musica San Michele, Montaldeo (IT)Closing concert03/08/2024From the closing concert, World Premiers by the composition students:Valiente, Eduardo (*1992, ES) – Preludio Invocación (for e-guitar) [2024] WPBallabene, Mirco (*1981, IT) – In Ventre (for e-guitar) [2024] WP
Performance featuring spherical amplification.Klangspuren SchwazTreibhaus, Innsbruck (AT)Ensemble Phace07/09/2024From the program:Iannotta, Clara (*1983, IT) – They left us grief-trees wailing at the wall (for ensemble) [2020]
Performance featuring spherical amplification.Bludenzer Tage zeitgemäßer MusikRemise, Bludenz (AT)Ensemble Phace26/09/2024From the program:Romitelli, Fausto (1963-2004, IT) – Professor Bad Trip (for ensemble and electronics) [1998-2000]
Performance featuring spherical amplification.Musikfabrik im WDR 90WDR Funkhaus, Cologne (DE)Ensemble Musikfabrik03/10/2024From the program:Kampe, Gordon (*1976, DE) – Schnulzen (for ensemble) [2019]
Performance featuring spherical amplification.Festival d’AutomneCité de la Musique, Paris (FR)Ensemble Intercontemporain11/10/2024From the program:Iannotta, Clara (*1983, IT) – They left us grief-trees wailing at the wall (for ensemble) [2020]Iannotta, Clara (*1983, IT) – a stir among the stars, a making way (for large ensemble) [2019-20] French Premiere
Performance featuring spherical amplification.IGNM BernProzess Kultur & Bar, Bern (CH)Solo23/10/2024From the Program:Steen-Andersen, Simon (*1976, DK) – from Beloved Brother: I. Arioso (for ‘backside’ guitar) [2008]Momi, Marco (*1976, IT) – Sans Dire (for guitar and electronics) [2021]Sciarrino, Salvatore (*1947, IT) – L’Addio a Trachis (transcr. for guitar by Francesco Palmieri) [1980/2021]Te
Performance featuring spherical amplification.Aktionshalle Stanzerei, Baden (CH)Ensemble für neue Musik Zürich06/11/2024From the Program:Haas, Lorenz (*1968, CH) – Nichts Schöneres (a Schumann song recital in fourteen scenes for seven instruments and voice) [2024]
Performance featuring spherical amplification.Festival d’AutomneAuditorium de Radio France, Paris (FR)Orchestre Philharmonique de Radio France16/11/2024From the Program:Iannotta, Clara (*1983, IT) – strange bird—no longer navigating by a star (for orchestra) [2023]
Performance featuring spherical amplification.Festival Orizzonti Autumn Edition IAuditorium S. Cecilia, Perugia (IT)Opificio Sonoro21/11/2024From the Program “The Adventures of Foreign Bodies #1 – Venus Station”:Tedde, Maurizio (*1996, IT) – Januvia (for e-guitar and electronics) [2024]
Performance featuring spherical amplification.#3 Cantiones – Hommage an Klaus Huber 100. GeburtstagGrossmünster, Zürich (CH)Collegium Novum Zürich30/11/2024From the Program:Pagh-Paan, Younghi (*1945, KR) – SOWON/Wunsch (for soprano and 10 instruments) [1996]Huber, Klaus (1924-2017, CH) – Cantiones de Circulo gyrante (spatialized music for five soloists, choir and three instrumental groups) [1984]
The profound depth of his works and his refined exploration of sound make Marco Momi one of the standout composers of his generation. Born in Perugia in 1978, Momi studied piano, conducting, and composition in Perugia, Strasbourg, The Hague, Rome, Darmstadt, and Paris. He has won numerous international competitions, such as the Gaudeamus Music Prize and the Seoul International Competition, and has