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Performance featuring spherical amplification.SMC Société de Musique ContemporaineBCV Concert Hall, Haute Ecole de Musique, Lausanne (CH)Solo27/01/2025Program:Romitelli, Fausto (1963-2004, IT) – Trash TV Trance (for e-guitar) [2002]Tedde, Maurizio (*1996, IT) – Januvia (for e-guitar and electronics) [2024]Momi, Marco (*1976, IT) – Sans Dire (for guitar and electronics) [2021]Steen-Andersen, Simon
Performance featuring spherical amplification.kHaus, Basel, (CH)Solo29/01/2025Program:Kessler, Thomas (1937-2024, CH) – Guitar Control (for guitar and live-electronics) [1999]Momi, Marco (*1976, IT) – Sans Dire (for guitar and electronics) [2021]Tedde, Maurizio (*1996, IT) – Januvia (for e-guitar and electronics) [2024]Dufourt, Hugues (*1943, FR) – La Cité des Saules (for e-guitar) [1997]Romitell
Performance featuring spherical amplification.Elbphilharmonie VisionsElbphilharmonie, Hamburg (DE)NDR Radiophilharmonie14/02/2025From the program:Iannotta, Clara (*1983, IT) – Moult (for orchestra) [2018-19]
Performance featuring spherical amplification.Ensemble PHACE Series 2024/25 #3 – LightnessBerio-saal, Wiener Konzerthaus, Wien (AT)Ensemble Phace11/03/2025From the program:Cheng, Huihui (*1985, CN) – Sonic Leak (for e-guitar, sax, percussion and piano) [2020]
Performance featuring spherical amplification.ManiFesteCentquatre, Paris (FR)Ensemble Musikfabrik12/06/2025Program:Poppe, Enno (*1969, DE) – Prozession (for large ensemble) [2015/2020]
Performance featuring spherical amplification.Don Bosco, Basel (CH)Musik-Akademie Alumni Ensemble22/06/2025From the program:Geha, Katia (*2002, AU/LB) — I know what I have done (for solo viola and ensemble) [2025] WPKatzman, Ron (*2000) — Work (for ensemble) [2025] WP
Performance featuring spherical amplification.Musikfabrik im WDR 93WDR Funkhaus, Cologne (DE)Ensemble Musikfabrik12/07/2025From the program:Kilger, Lucia — cyrcyre #2 (for ensemble and electronics) [2022]
Performance featuring spherical amplification.ArteScienzaMUSA Museo degli Strumenti Musicali, Rome (IT)Opificio Sonoro20/07/2025From the program “¡SCODANIBBIO!”:Scodanibbio, Stefano (1956-2012, IT) – Dos Abismos (for classical guitar) [1992]
Performances featuring spherical amplification.SIGNAL +Kunstraum Walcheturm, Zurich (CH)kHaus, Basel (CH)w/Duo Signal13 + 14/09/2025From the program:Fernández Ezquerra, Nuño (*1992, ES) — An Atlas of the Infinite (part I) (for voice, saxophone, trombone, cello, e-guitar and electronics) [2025]
Performance featuring spherical amplification.Wie du warst! Wie du bist!Bernhard Theater, Opernhaus Zurich, Zurich (CH)20/09/2025Steen-Andersen, Simon (*1976, DK) — Wie du warst! Wie du bist! (Music theater) [2025] WP
Performance featuring spherical amplification.THE GAPAltes Krematorium Sihlfeld, Zurich (CH)Collegium Novum Zurich & Ensemble Contrechamps27/09/2025Rosenberger, Katharina (*1971, CH) — THE GAP (Performance-Installation) [2025]
Performance featuring spherical amplification.#2 aufbrechen (quatre scènes)Brunnenhof Studio 1, Zurich (CH)Collegium Novum Zurich30/10/2025From the program:Iannotta, Clara (*1983, IT) – a stir among the stars, a making way (for large ensemble) [2019-20]
Performance featuring spherical amplification.Wien ModernMozart Saal, Wiener Konzerthaus, Wien (AT)Klangforum Wien09/11/2025From the program:Lachenmann, Helmut (*1935) – “…zwei Gefühle…”, Musik mit Leonardo (for speakers and ensemble) [1992]Billone, Pierluigi (*1960) – ME (Studie für Ensemble) [2025] WP
Performance featuring spherical amplification.Zyklus #1 “LOOM”Berio Saal, Wiener Konzerthaus, Wien (AT)Ensemble PHACE 18/11/2025From the program:Kishino, Malika (*1971) – Sensitive Chaos (for 7 instruments) [2010]Kaleli, Emre Sihan – Adjacent Rooms, a Part of a Labyrinth (for ensemble) [2025]
Performance featuring spherical amplification.Perfect contradictionReaktor, Wien (AT)Ensemble PHACE16/12/2025From the program:Cheng, Huihui (*1985, CN) – Sonic Leak (for e-guitar, sax, percussion and piano) [2020]Ivicevic, Mirela (*1980) — Lil (for e-guitar, saxophone, cello and electronics) [2022]
Performance featuring spherical amplification.Roland Schueler Atelier Wien (AT)Solo17.12.2025Program:Dufourt, Hugues (*1943, FR) – La Cité des Saules (for e-guitar) [1997]Romitelli, Fausto (1963-2004, IT) – Trash TV Trance (for e-guitar) [2002]Billone, Pierluigi (*1960, IT) – Sgorgo Y (for e-guitar) [2012]
Performance featuring spherical amplification.Zyklus #2 “The Travel Agency is on Fire” Berio Saal, Wiener Konzerthaus, Wien (AT)Ensemble PHACE 23/01/2026PHACE Michael Krenn, saxophone Manuel Alcaraz Clemente, percussion Francesco Palmieri, electric guitar Roland Schueler, electric violoncello Mathilde Housiangou, synthesizeSarah Maria Sun, voiceProgram:Lang, Bernhard (*1957) – The Travel Agency is
Background: Cancer-associated fibroblasts (CAFs) are the main constituents of the tumor microenvironment. Several studies have delineated CAF heterogeneity in different types of tumors, however, it is still unknown how the distinct CAF transcriptional profiles are established during tumor progression. Methods: We reanalyzed a previously published single-cell RNA-sequencing dataset of MMTV-PyMT tum
The concept of integrated risk management (IRM) has developed as a response to more interconnected and complex contexts. To investigate how the concept is used and what is meant with integration in the scientific literature, a research profiling was carried out across all kinds of risk management applications. 1094 publications from scientific journals, conference proceedings, and books were inclu
This volume shows that waste, in both how it is produced and how it is construed, can serve as a revelatory lens through which the social world itself may be critically re-examined and assessed. Drawing on related interdisciplinary interests for waste, it presents contributions that address the thematic concerns of materiality, society, economy, and temporality. The aim is to offer an introduction
