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Ann Radcliffe, The Romance of the Forest (1791)
The Romance of the Forest (1791) secured Ann Radcliffe’s reputation as a writer of Gothic literature. The novel continued and expanded, as this chapter will show, the Walpolean tradition of re-evaluating the modern romance by injecting it with the virtues of “respectable” novels such as plausibility, mimetic acuity and Protestantism. After a brief recapitulation of Radcliffe’s theory of the supern
"'tis by Comparison we can Judge and Chuse [sic!]" : Incomparable Oroonoko
This interpretation of Aphra Behn's novella follows a hermeneutic-phenomenological approach by analysing the operations of comparability and incomparability within the emplotment based on Paul Ricoeur’s theory of triple mimesis (Time and Narrative Vol. 1). This concept presupposes that readerly embodiment plays a vital role in the signification process that results from the encounter of readers an
Literary Configurations of Illness and the Refiguration of Health and Well-being
The essay examines three literary memoirs of illness (Giving up the Ghost (2003), Love’s Work (1995) and Iris: A Memoir of Iris Murdoch (1998)) and their location in the recent development of illness narratives in anglophone culture. I showcase within a phenomenological framework how the three books defamiliarize the critical moment of diagnosis, reject readers’ sympathy and invite readers to broa
Einblicke in die Medialen Zwischenräume von Wide Sargasso Sea
Jean Rhys’ novel Wide Sargasso Sea (1966) harnesses the media specificity of verbal text and visual image for the evocation of the ambivalence that constitutes hybrid identities. Rhys’s uses of covert intermediality do much to perform the lived experience of the Creole protagonist’s degeneration as they allow for the imitation of the deterioration of both her sensory perception and visibility. The
Very preterm infants and later lung function - impact of perinatal inflammation, club cell secretory protein and bronchopulmonary dysplasia
Coleridge and Kantian Ideas in England, 1796–1817 : Coleridge’s Responses to German Philosophy
Author of Biographia Literaria (1817) and The Friend (1809-10, 1812 and 1818), Samuel Taylor Coleridge was the central figure in the British transmission of German idealism in the 19th century. The advent of Immanuel Kant in Coleridge’s thought is traditionally seen as the start of the poet’s turn towards an internalized Romanticism. Demonstrating that Coleridge’s discovery of Kant came at an earl
Annika Mann. Reading Contagion: The Hazards of Reading in the Age of Print
Reading the Assault on the Lived Body in Hilary Mantel's Giving up the Ghost
Observation Naturalised : A Comparative Analysis of Franz Josef Gall's Brain-Based Psychology
Korangy, A., Al-Samman, H. and Beard, M. (eds), The Beloved in Middle Eastern Literatures: The Culture of Love and Languishing (London: I.B. Tauris, 2018)
Review of Caroline Ahlström Arcini & Rikard Hedvall, ”Gåtfulla Gårdby. Kyrkor, skelett och DNA berättar om en öländsk socken” (2022)
Principal Component Analyses (PCA)-based findings in population genetic studies are highly biased and must be reevaluated
Principal Component Analysis (PCA) is a multivariate analysis that reduces the complexity of datasets while preserving data covariance. The outcome can be visualized on colorful scatterplots, ideally with only a minimal loss of information. PCA applications, implemented in well-cited packages like EIGENSOFT and PLINK, are extensively used as the foremost analyses in population genetics and related
Temporal population structure, a genetic dating method for ancient Eurasian genomes from the past 10,000 years
Radiocarbon dating is the gold standard in archeology to estimate the age of skeletons, a key to studying their origins. Many published ancient genomes lack reliable and direct dates, which results in obscure and contradictory reports. We developed the temporal population structure (TPS), a DNA-based dating method for genomes ranging from the Late Mesolithic to today, and applied it to 3,591 ancie
Storbritannien blev en kulturell stormakt
Krönika skriven med anledning av Elizabeth II:s död.