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The role of Translation in Architectural Participation : Introductory lecture

Creativity and the evolvement of culture. The altering capacity of art works, paper presentation, Lisbon, 26-29 June.

Title:Creativity and the evolvement of culture. The altering capacity of art works.Creativity, in the sense finding original solutions to life world problems, can be seen as the principal force of cognitive and communicational genesis, such as when new verbal language elements occur (Heine/Kuteva 2007). Creativity has been defined as the original act that not only makes a radical “revision of a co

Understanding Global Development Research: Fieldwork Issues, Experiences and Reflections

Made in China Yearbook 2016: Disturbances in Heaven

Pretending Democracy: Appropriation of space

Global Development Fieldwork: A Relational Perspective

Liberating Development Inquiry: Freedom, Openness and Participation in Fieldwork

Under Threat: Working in Dangerous Environments

Towards a Relational Understanding of Development Research

Double Institutional Articulation : On artistic critique of institutions

Co-optation of Space: an agency-oriented approach to planning

Laying Off Responsibility : Microcredit, Entrepreneurship, and China’s Industrial Retrenchment

There and Back Again: Conceptualising the Chinese Gold Rush in Ghana

Rural Finance and Development in China: The State of the Art and Ways Forward

Rice Wine and Fieldwork in China: Some Reflections on Practicalities, Positionality and Ethical Issues

Rural Finance, Development and Livelihoods in China

Inside Out : Owen Lattimore on China

Planning agencies and their image production. An investigation into the possibility of architecture as a joint societal concern.

Intervention methods for research in architecture and planning

Art and the evolvement of culture. The altering capacity of institutional critique

Creativity is a principal force of cognitive and communicational genesis that causes alteration of established rules and concepts (Heine/Kuteva 2007) and transgression of cultural borders (Lotman 1990). Artistic activity is normally taken for granted as creative, despite the fact that much artistic intention, is not necessarily aspiring to make any radical change of the circumstances in which it i