Negrophilia : en postkolonial visuell studie kring en subkulturs polariserade syn på den Andra utifrån ett genusperspektiv
This thesis examines the different views on the phenomenon ”negrophilia” that existed in Paris in the 1920s. It's precise meaning is ”love for the black culture” and the art illustrations analysed are originated by the french artist Paul Colin. These posters with black people posing were designed as commercials for different theatre productions. During the time they arised they were an express