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There are interesting links between older viewing aids like the 1800th Century Claude Glass and recent photographic consumer products like the iPhone application Instagram and the spread of HDR (High Dynamic Range) photography. I will examine these links by juxtaposing them to some issues raised by landscape- and environmental art, as well as theoretical discussions of mediation and landscape. The
In our article, we start by posing the question why some adjectival stems can end both in -ful and -less, while others take only one of the endings. Together these items make up around 1% of the entries in a good dictionary. It soon becomes clear that we need to use several basic concepts from cognitive linguistics to answer our question: boundedness, mass vs. individual, part-whole relations and
“Capacity building” in DRM is typically approached through an access model that normalizes technical transfers of innovations from ‘developed’ to ‘developing’ areas. Through a framework of world systems political ecology, normalization of this flow is shown to be a mystification of the social relations of exchange that undergird the manufacture of such innovations. “Capacity building” turns out to
The sound transmission loss of double walls in the low-frequency range is studied by means of structure-acoustic finite element analysis. The analysis simulates standard experiments to determine sound transmission loss of walls. The model is a detailed description of the geometry of the system, including both the double wall and the rooms acoustically coupled to the wall. The frequency range studi
Minor structural changes on the surface of proteins can have tremendous impact on their biological properties. When producing therapeutic proteins it is therefore important to verify that the generated protein is the desired one. Small variations such as glycosylations or amino acid substitutions can mean the difference between a functional, defective or even toxic product. This thesis describes
It is assumed that pictorial visualization can be used to facilitate communication between industrial professionals when planning working environments and production. This article analyses how managers, supervisors, machine operators, and occupational health and safety officials, accustomed to using both paper drawings and computer animation of both shop floor and workplace view, evaluate these fo
