Att spegla tid och minne: Surrealism i Andrej Tarkovskijs Spegeln
This thesis explores the intersection between Andrei Tarkovsky’s cinematic aesthetics and surrealist theory, focusing on his film The Mirror (1975). By analyzing Tarkovsky’s depiction of time and memory, the study investigates how surrealist principles such as non-linear narrative, symbolic imagery, and dream-like sequences are employed to create a deeply introspective cinematic experience. Drawi