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By the time that Samuel Taylor Coleridge described Chamonix as a Valley of wonders’, in the 11 September 1802 number of the Morning Post, the region was already well established as a key focal point in the European debate about the scientific, aesthetic, political and religious significance of sublime landscape.1 However, Chamonix’s prominence on the cultural map of Europe was also relatively rece
This essay returns to the extensive scholarly debate surrounding the lyrics and fragments which Percy Bysshe Shelley composed for Jane Williams, or with her in mind, during the last six months of his life. It takes its point of departure in what it defines as “the problem of the Jane Williams poems” – the difficulty, faced by biographers, editors, and critics alike, of mapping the relationship bet
Hellas, a Lyrical Drama (1822), Percy Bysshe Shelley’s response to the outbreak of the Greek War of Independence, remains one of the most neglected of his major works. Even less attention has been paid to Shelley’s series of attempts to write about the Greek cause, which he then abandoned before he began work on Hellas in the autumn of 1821. This essay seeks to redress that neglect. It examines a
This essay examines Byron's and Shelley's reactions to, and involvement with, the Neapolitan Revolution of 1820–21, using them to focus a debate about conflicting constructions of history in their writing, and to question subsequently conventional accounts of their creative relationship. It concentrates on Shelley's Ode to Naples, which it identifies as in important rhetorical blow in Shelley's pu
Some proponents of the higher-order thought (HOT) theory of consciousness defend the view that higher-order misrepresentation is possible. In support of this view they have proposed various pieces of empirical evidence. This paper examines one such piece of proposed empirical evidence; Change blindness (CB). CB occurs when a subject fails to detect salient changes in visual scenes. I propose an al
