Specialization on Stage : The Formation and Deformation of Knowledge in Hedda Gabler and A Dream Play
This article examines two of the most canonical plays in all of Scandinavian and European modern drama – Henrik Ibsen’s Hedda Gabler (1890) and August Strindberg’s A Dream Play (1902) – through the prism of the history of knowledge. The primary claim of the article is that these two plays are paradigmatic literary representations and critiques of one of the main historical processes pertaining to