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About ontological rooms in Lars Gustafssons novel Tjänarinnan (1996).

An analysis of three experimental films by Austrian filmmaker and artist Kerstin Cmelka (b. 1974): Neurodermitis (1998), Mit mir (2000) and Et in Arcadia ego (2000).The text is a revised and expanded version of a Swedish essay, published in Magasinet Walden 2012.

Translation into Swedish of Johan Linders's Harderwijk dissertation from 1707.

``Pluralistic ignorance'' is a phenomenon mainly studied in social psychology. Viewed as an epistemic phenomenon, one way to define it is as a situation where ``no one believes, but everyone believes that everyone else believes''. In this paper various versions of pluralistic ignorance are formalized using epistemic/doxastic logic (based on plausibility models). The motive is twofold. Firstly, the

Providing invaluable information for both graduate researchers and R & D engineers in industry and consultancy, this book focuses on the modeling and simulation of fluid flow and thermal transport phenomena in turbulent convective flows. Its overall objective is to present state-of-the-art knowledge in order to predict turbulent heat transfer processes in fundamental and idealized flows as wel

This paper presents a novel method to improve the performance of sub-threshold (sub-V-T) gates in 65-nm CMOS technology. Faster transistors with a lower threshold voltage are introduced in the weaker network of a gate. It is shown that the employed method significantly enhances the reliability and performance of the gate, with an additive advantage of a lower area cost compared to traditional tran

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This chapter discusses major results and conclusions from Special Interest Group C bringing together various aspects of mobile to mobile communication from all working groups. Vehicle-to-vehicle communication scenarios are emphasized. Traffic telematics applications are currently under intense research and development for making transportation safer, more efficient, and cleaner. Communication sys

I detta bokkapitel behandlas förändringarna i skådespelarens arbetssätt till följd av förändringar i teaterns estetik från slutet av 1800-talet. Under denna tid kom ett starkt inflytande från musiken, vilket inte minst gjorde sig märkbart i det symbolistiska dramat och försöken att finna en skådespelarkonst som var anpassad för detta. Slutligen exemplifieras denna utveckling med en scen ur Gabriel

Sveriges frihandelsavtal med EEC. En genomgång av avtalens mål medel och administration. Hur ska bestämmelserna tolkas mot bakgrund av bl.a. Wienkonventionen om Traktaträtten. Praktiska implikationer granskas med särskild tonvikt på avtalets konkurrensregler liksom hur dessa är kopplade till utvecklingen av konkurrensrätten i den Europeiska Ekonomiska Gemenskapen. Kan avtalet förväntas få en direk