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This essay presents an intertextual analysis of three short stories by Argentinian writer Jorge Luis Borges; “The Garden of Forking Paths” (1941), “The South” (1944), and “The End” (1944). The analysis explores the possibility of using the philosophical ideas concerning bifurcations in time as presented in “ The Garden of Forking Paths” to reinterpret the other two short stories, given that these