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Program:Gioachino Rossini: Uvertyr till operan Wilhelm Tell (längd 12')Antonio Vivaldi: D-durkonsert (längd 12')Joaquín Rodrigo: Fantasia para un gentilhombre (längd 22')Paus, längd 20'Carl Nielsen: Symfoni nr 2 op. 16 ”De fyra temperamenten” (längd 30')Wilhelm Tells fartfyllda och energiska uvertyr anger tonen för kvällens stämning. Huvudrollen under Olli Mustonens konsert innehas av gitarren. It

Program med Sveriges bästa kammarorkester tillsammans med landets mest framstående klassiska gitarrist och prisade unga internationella gitarrstjärnor, allt under ledning av den svenska dirigentpärlan Christian Karlsen. Platsen är den anrika Universitetsaulan i Uppsala.Program:Musik av Beatles, Beethoven Symfoni nr 1 C-dur op.21, Joaquin Rodrigos Concierto Andaluz och Castelnuovo-Tedesco – guitar

The works, which consist of wooden planks mounted on steel supports, at first look deceptively like found objects, like standard industrial pallets. Upon closer study they are obviously handcrafted, not manufactured. Fredrik Værslev’s Garden Paintings first appeared in 2011. The planks themselves may be industrially made, but they are mounted manually and subjected to a variety of painterly techni

The physics of the geomagnetic field is introduced, plausible mechanisms of magnetoreception are mentioned and observations and findings concerning magnetic field orientation in different organisms are presented. -from English summary

The return of monochrome painting - why it’s back, and where to see it in Berlin.The exhibition consists of ten more or less monochromatic paintings from the past four decades, including works by John M Armleder, Tauba Auerbach, Gardar Eide Einarsson, Matias Faldbakken, Isa Genzken, Allison Katz, Michael Krebber, Olivier Mosset, Charlotte Posenenske and Josh Smith. Organized and curated by Fredrik

The exhibition is the fruit of a discussion that begun in 2015 with Etienne Bernard, director of the Frac Bretagne and curator of the exhibition, is intended to be an important step in his career.It will constitute a form of retrospective of Værslevs entire production over the past 15 years. The artist will present a new series that will serve as a “re-reading rail” for his older series. Thus, the

Indipendenza Roma is proud to present Louise Lawler / Fredrik Værslev, a two-person exhibition that responds directly to our unique spaces to explore the tension between an artwork and its surrounding architectural context, spurring questions of taste, value, function, and decoration.

This paper argues that in many contexts where effectiveness analysis such as benefit-cost analysis and cost-effectiveness analysis is used, we have good reason to think that some benefits or costs are incommensurable invalue such that neither can be determined to be better than the other, although they cannot be determined to beequally good either. Two responses to such value incommensurability ar

Om sakerna på ditt skrivbord inte har tillverkats genom skärande bearbetning, så har definitivt verktyget som användes för att tillverka dem gjort det. Skärande bearbetning har en stor men ganska dold inverkan på ditt liv. Då den enda skärande bearbetning du kanske har upplevt är att göra en ljusstake i träslöjden i grundskolan. Svarvningen och fräsningen i denna avhandling rör ej ljusstakar i träIn an era where 3D printing and AI are at the forefront, turning, milling, and metal cutting might seem like niche research topics from the past. But metal cutting is all around you. If what you have lying on your desk was not machined, then the tools used to create it certainly were. Even 3D-printed or additively manufactured parts must be machined if a good surface quality is needed for an indus

Vegetation is the major source of volatile organic compounds (VOCs) in the atmosphere, which affect both air quality and climate. Long-term ecosystem-level data on biogenic VOC (BVOC) emissions, however, are limited. This is especially true regarding the impacts of landscape-scale disturbances like clear-cutting on the short-term and longer seasonal-scale emissions of boreal forests, particularly

Neural firing rates are thought to represent values which code information. There are drawbacks with using biophysical events to represent numbers. (1) Rate code (like any sequence) is inherently slow to read. (2) At short intervals, the code becomes unintelligible biophysical noise. (3) Transmission times. The vital contribution of the cerebellum to skilled execution and coordination of movements

In elite sport, athletes and staff may face unique personal- and sports-related stressors that can both bolster and undermine their mental health. Meanwhile, toughness, perfectionism, stigma, and unwanted attention can serve as exacerbating factors and help-seeking deterrents. Two outpatient psychiatric clinics specializing in elite sport and health have been established in Sweden, including one i

The enzymatic modification of natural oat oils enriched with polar lipids (PL), consisting mainly of equal mixture of phospholipids and galactolipids, offers a sustainable pathway to produce liquid crystalline phases (LCPs) with diverse structural arrangements, including micellar or bicontinuous cubic and hexagonal phases. These self-assembling lipid systems have potential applications in drug del

Acute Achilles tendon rupture can be treated both surgically and by immobilization in plaster alone. We have used the latter approach, since it has been shown that results are almost equivalent, but with fewer complications. In both cases, patients are often immobilized for many weeks, although treatment which encourages movement has been used in operated cases. The physiology of tendon healing wo

The reasons why some individuals who experience trauma develop post-traumatic stress disorder (PTSD) while others do not remain poorly understood, highlighting the complex interplay of encoding-related and intrapersonal factors. This study aimed to examine factors predicting variability in trauma-related symptom development. Using a trauma-film paradigm in a healthy sample (N = 32), we investigate